Today those same tapes represent a new slant on six degrees of separation. Taped copies have circulated the globe several times over in the past 20 years. What kind of trumpet section do you call this tonight? And saxophones! You gotta fuckin’ be kiddin’ me!īuddy’s tempestuous asides and berating speeches to his beleaguered band members have become part of jazz lore. I’m up there workin’ my balls off tryin’ to do somebody a favor and you motherfuckers are suckin’ all over this joint. Whether it was during long hauls on the bus between gigs in Peoria and Poughkeepsie or whether he was just berating band members backstage after an uninspired performance, Buddy would invariably launch into stream of consciousness putdowns that elevated invective to performance art. No one else in jazz history could rant quite like the enraged Mr. And yet, the staccato attack, sheer intensity and hip musician lingo instantly reveal the identity of the man behind this particularly vituperative assault. The voice is concussively powerful, an imposing white-hot blast of verbiage to rival that of Ralph Kramden from The Honeymooners, drill sergeant Vince Carter of Gomer Pyle fame or any other celebrated loudmouths from the TV, film and sports worlds. What kind of playing do you think this is? What kind of miscues do you call this? What fuckin’ band do you think you’re playing on, MOTHERFUCKERS! You wanna fuck with me on the bandstand?!
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |